Wednesday, September 26, 2018

Aphorism (9.26.18)

Fun with Aphorism

You can probably find a better, more accurate definition of “aphorism” than the one I am about to give: an opinion rendered memorably.  We experience aphorism as insight into human nature and the human condition.  Aphorism is a social thing—it could not be otherwise.  Even a recluse is being social when writing an aphorism.  It implies a degree of civilization in the writer and the reader of it, not to mention a certain shared understanding.  And in this sense, aphorism belongs to the family of pun, joke, allusion, satire, parody, and, in an extended way, metaphor, image, even poetry.  That is, it’s a figure of speech, meaning speech given shape.

An aphorism is somebody’s opinion about the state of the world and humankind.  It can be acerbic, caustic, sardonic, ironic, politic and impolitic, homiletic, Vedic, anarchic, archaic, [1] heuristic, rustic, mystic, gnomic . . .  As I just mentioned, it is a figure of speech.  It expresses a thought about “the world we live in” and the “we” who live in it.  It is an opinion rendered memorably.

Here are some synonyms for it: maxim, saying, adage, saw, truism, axiom, apothegm, and, perhaps more tenuously, truth, principle, precept.  And like these more or less synonymous terms, an aphorism can become a cliché, inviting mockery or satire.  Here’s one that became cliché the very first time it was uttered: “There is no ‘I’ in ‘team’.”  I used to hear certain executives—especially those who routinely made you do all the work while they took all the credit (but deflected any blame back onto you)—say this in “team meetings.”  One day I wrote down an antidote to it: Beware the boss who says ‘there is no I in team’; he often means there is no You.  Let me put this as aphoristically as I can: in aphorism we sometimes find respite from the self-regarding.  

But in aphorism we also find poetry, or something like it; like it enough that writing aphorisms is probably a good way of exercising our figurative skills—turn of phrase, compression of language, color, music and rhythm, tone.  I’ve spent many happy hours writing aphorisms in journals.  My method is usually to select a word, something concrete or abstract,[2] it doesn’t matter, and then to incorporate it in statements of one or two lines (never more).  What I find, often enough, is that I refresh my understanding of the word, how it can be used, how far its meaning can be bent to some insight or thought, and how it can produce a thought or an insight.  (And I always aim for the fresh, not the clichéd.  I don't always succeed.)  I also find among these aphorisms lines for poems to be developed later, sometimes years later.  Page two shares an example of the method from a 2003 journal.

So have some fun with aphorisms.  Save what you write.  You may want to use a line or two somewhere, sometime, say in a poem.

Dry Spells

Dry spells . . . How can one put them to use?
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Pray for rain, endure dry spells.
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We call them dry spells because they induce thirst, or torpor?
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Much business, and afterwards a welcome dry spell.
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To suffer a dry spell is to miss its greater interest.
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You can find deep pools of insight even in a dry spell.
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In a dry spell, dig.
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Wells are valuable only in dry spells.
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Without dry spells, who knows about rain?
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Imagine the discomfort and inconvenience of a dry spell; remember it in the soggy times.


[1] Please, someone stop me!
[2] Some examples: command, fog, cursing, time, work, compromise, seconds (as in not being first), the usual, talk, giving, dry spells.  I steer clear of cliché-inducing subjects like love, friendship, God, sorrow, happiness.

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